My photographic work seeks to investigate the idea that the appearance of what we see as “reality” is malleable and constantly shifting.  Reflections allow the camera, a single point perspective tool, to see from multiple viewpoints at once, thus potentially destabilizing the viewer’s personal sense of visual authority or any fixed sense of “point of view”.  The presence of multiple visual channels can challenge assumptions about perspective, both journalistic and personal; it can even argue that the camera’s truest marker is not image but time. By marking a specific moment, the camera allows the opportunity to take “point of view” itself as a vehicle forcontent and contemplation.

I use mirrors to combine their reflections with reality.  None of these images have been digitally contrived. 

All photographs are archivally mounted on 1/4" MDF board, which floats 1" from the wall, and laminated with UV
filtering waterproof vinyl, so the prints are well preserved and easily maintained.  This process replaces the need for traditional matting and framing.  Unmounted and unlaminated prints are available.